Gone Loopy

One of the things I said I was going to start trying after the Retreat was over, is art yarns or specialty yarns.  Well, here's my first try - a boucle yarn.

OK, I didn't say it was great boucle yarn but it's boucle, all the same. 

I began by following instructions in an articly by Jacey Boggs in the Summer 2010 issue of Spin Off.  The basic recipe she quotes out of Judith MacMc's book, The Intentional Spinner, is that you need 1 yarn S spun, 1 yarn Z spun, 1 thick ply, 1 thin ply, one high twist ply and one low twist.  I followed her sample by using some mohair for a high twist, thin Z spun single (photo insert on the right).  Then I used some merino to make a low twist, slightly thicker S spun single (photo insert on the left).  The idea is that you make the first ply step by spinning in the direction of the merino (in this case).  By plying in the direction of the low spun single, you add twist to that ply while removing it from the high twist single. 

You're supposed to make loops with the high twist singles as you ply them together.  I found that really difficult but she says that's normal.  My loops were, for the most part, more like fun fur than anything else!  And anyone who knows me, knows how much I love fun fur (said with every ounce of irony at my disposal). 

Once you have this first ply accomplished, my previously low twist merino singles became a high twist ply and I also found it difficult to move fast enough to keep this from happening.  The next step is to use a "binder" to cable with skein.  Jacey suggests using seaming thread because of its high tensile strength.  I don't know what that is so for the first sample, I just used regular sewing thread.  You can see the sample on the left side of this photo.

It was okay but I decided to go back to the Intentional Spinner and see what Judith says.  Now she suggested you could cable the yarn back on itself.  So I tried that.  First, I took my bobbin of merino and ran it back through the wheel, removing as much twist as I could while still holding it together.  The I plied the merino and mohair together.  I found that if I kind of rubbed my fingers together as the mohair got to the merino, it helped me form the characteristic boucle loops a little better.  Once I finished all the mohair that I'd spun, I wound off half the yarn onto a second bobbing and started the cabling process.  You can see this skeinlette on the right side of the photo above.

Oddly enough, the cabling step evened out the twist and both skeinlettes were perfectly balanced.  Much to my surprise.